Eddie Pasa Archive on Gunaxin >
Bill & Ted Face The Music is an unexpectedly emotional film, anchored by a touching script and a steadfast adherence to a natural humanity.
Peninsula forges its own path with guns blazing, heartfelt emotion, and blood by the barrelful.
Dave Franco’s directorial debut is a corker of a thriller boasting a bleak statement on humanity as a whole.
The cast and crew of Hamilton have put their hearts and souls into this film which, both in performance and execution, hasn’t aged at all since its recording four years ago.
Quite frankly, Stewart’s aim is to disgust us and to urge us to do better.
7500 does in 90 minutes what some high-powered action films running twice this length dare not…
Bloodshot may be full of been-there-done-that, but it delivers exactly what it promises: a high-octane blast of popcorn cinema.
Pixar’s latest is available for digital download, and heading to Disney+ for streaming soon.
An unexpected modern-day masterpiece.
The Call of the Wild excels in its ability to keep a non-speaking, non-anthropomorphized dog as its lead character while swirling a beautiful story around his adventure, not the the one belonging to the humans.
A sharp, empowering feminist theme runs deep in Birds of Prey’s bones, accompanied by a strong sense of self-referential humor.
Ford v Ferrari is available on Digital now and on 4K, Blu-ray and DVD February 11th.
Guy Ritchies most complete and moving film.
It’s been 25 years since Bad Boys was released, and a lot has changed in action cinema.
The one-take World War I film 1917 is a landmark achievement, employing its conceit to effectively show us the true terror of war.
Though the script is derivative, director William Eubank makes Underwater come off like a quick hit of adrenaline.
Thanks to toxic fanboy culture, the highly-anticipated capper to the 42-years-old Skywalker Saga comes in the form of a rehashed version of Return of the Jedi.
A propaganda film with a passion for destroying trust in those who protect us and those who seek the truth.
Do not miss this film, and do not be late to the theater.
The Irishman finds Martin Scorsese in a reflective, pensive mode, being both a meditation on aging and venturing into seldom-traveled territory.
Doctor Sleep pays homage to both King and Kubrick’s original works as Flanagan sets his eyes firmly on the new 2013 roadmap.
Zombieland: Double Tap may be a simple case of “just more of the same,” but that’s NEVER a bad thing with this franchise.
Joker is a rare movie which forcefully shoves us into its sickening miasma of discomfort.
Cabell’s dramatization of the cocaine trade, from cultivation to final sale, is a watchable film in the vein of Steven Soderbergh’s Traffic but lacks its spirit and pull.
