Eddie Pasa Archive on Gunaxin >
Zombieland: Double Tap may be a simple case of “just more of the same,” but that’s NEVER a bad thing with this franchise.
Joker is a rare movie which forcefully shoves us into its sickening miasma of discomfort.
Cabell’s dramatization of the cocaine trade, from cultivation to final sale, is a watchable film in the vein of Steven Soderbergh’s Traffic but lacks its spirit and pull.
It Chapter Two captures the supernatural-tinged drama and horror of its origins while inventing new surprises and characterizations for those expecting the familiar.
Derivative and devoid of any genuine suspense, Scary Stories to Tell in the Dark may not be the thrill ride one expects.
The stakes keep getting higher and the action keeps getting more and more unbelievable, but we love it.
Quentin Tarantino has made his own version of a fairytale in every sense of the word itself, full of archetypes and staples of the children’s stories we were read at bedtime.
Peter Parker has more than earned the second movie bearing his name, Spider-Man: Far From Home, which picks up months after the events of Avengers: Endgame.
One of the most surprisingly delightful films in recent memory, a cinematic hug wrapped up in the songs which make us sing.
An inspiring, heart-lifting film, discussing our sense of self and purpose while still imparting kindness and fun.
“This is all going to end badly.”
Continuing on the dubious MIB tradition of letting the natural charisma of the leads do the heavy lifting rather than the story.
The third chapter chucks the rules of the first two out the window to make way for a balls-out game of “Let The Bodies Hit The Floor.”
How, exactly, could Avengers: Endgame live up to and honor its predecessors?
Hellboy tries way too hard to accomplish so little.
Shazam! succeeds by mixing up familiar plots into an easily-digestible, unchallenging package, sure to go down smooth and leaving a pleasant aftertaste.
This new adaptation is equal parts remake and reimagining, with significant plot changes adding new depth and dimension to this 36-year-old story.
Jordan Peele haunts us by indelibly searing his images into our heads, and we won’t shake them long after we’ve left the theater.
In deconstructing the notion of females being the “fairer” or “weaker” sex, Captain Marvel has come to kick your ass.
Hollywood finally got to Robert Rodriguez.
Glass features M. Night Shyamalan at his most self-important and condescending.
There’s a lot of fun to be had with Escape Room, if you go in understanding that it’s not the most original movie in the world.
Travis Knight has redefined the Transformers movie.
Aquaman is steady, rock-solid entertainment featuring Jason Momoa in his breakout film role.
Spider-Man: Into the Spider-Verse takes you into an endlessly vibrant and intricate origin story of the newest web-slinger.
Rami Malek channels Mercury’s energy and zest, making Mercury into a strutting, drawling peacock who demands to be the center of attention wherever he goes.
A surprising script, solid direction, and a sharp feminist undercurrent make Green’s Halloween one hell of a movie. Don’t miss it.
First Man may be a movie about Neil Armstrong and the Space Race, but it triumphs more as a film about the American ideal and the dedication towards making it a reality.
Lose all preconceived notions or expectations of this new installment matching the primal, exciting narrative flow of the original.
The Nun marks the second misstep in the five-years-old Conjuring universe
For a film about one of the most daring exploits resulting in the arrest of a major war criminal, Operation Finale feels way too safe.
Jason Statham versus a big frickin’ shark, what more do you need?
This is a comedy, so why are we not laughing?
Tom Cruise and company come roaring back to blow us out of our seats with MISSION: IMPOSSIBLE – FALLOUT, one of the best action films ever made.
For all the whiplash action and laugh-out-loud humor in Ant-Man and the Wasp, there’s a certain “haven’t we been here before?” undercurrent.
Despite a talented cast, the biggest takeaway from Boundaries is what the script has to say about family.
