Eddie Pasa Archive on Gunaxin >
Spider-Man: Into the Spider-Verse takes you into an endlessly vibrant and intricate origin story of the newest web-slinger.
Rami Malek channels Mercury’s energy and zest, making Mercury into a strutting, drawling peacock who demands to be the center of attention wherever he goes.
A surprising script, solid direction, and a sharp feminist undercurrent make Green’s Halloween one hell of a movie. Don’t miss it.
First Man may be a movie about Neil Armstrong and the Space Race, but it triumphs more as a film about the American ideal and the dedication towards making it a reality.
Lose all preconceived notions or expectations of this new installment matching the primal, exciting narrative flow of the original.
The Nun marks the second misstep in the five-years-old Conjuring universe
For a film about one of the most daring exploits resulting in the arrest of a major war criminal, Operation Finale feels way too safe.
Jason Statham versus a big frickin’ shark, what more do you need?
This is a comedy, so why are we not laughing?
Tom Cruise and company come roaring back to blow us out of our seats with MISSION: IMPOSSIBLE – FALLOUT, one of the best action films ever made.
For all the whiplash action and laugh-out-loud humor in Ant-Man and the Wasp, there’s a certain “haven’t we been here before?” undercurrent.
Despite a talented cast, the biggest takeaway from Boundaries is what the script has to say about family.
Overt satire, or unoriginal misfire? Jurassic World: Fallen Kingdom invites you to choose.
Just like an old friend knocking on your door after some time away, Incredibles 2 shows up in theaters after a 14-year absence with a wide grin and the promise of high-flying adventure.
Ocean’s Eight is a sprite of a film, lifted by its effervescent cast and against-type performances.
The over-saturation comes to a head with the wildly uneven Solo: A Star Wars Story.
If this review offends you, the movie probably will too.
Ghost Stories batters you into submission with chair-jumping “BOO!” moments, but it all gives way to a final truth which makes you almost wish for those moments again.
High-flying, jam-packed testo-fest eschewing the usual Marvel brio for steep consequences.
Krasinski gives A Quiet Place an unmatched tenor and tone.
It’s a living, breathing version of Trivial Pursuit: Totally ’80s, and it’s just as much fun to watch.
“it’s entertaining, fast, furious, and grand fun.”
The origin story of Lara Croft is here, but is it worthy of your time?
It’s impossible to nail down exactly why Black Panther is absolutely magnificent in one viewing. The film works on so many levels – as a straight-ahead action movie, a superhero movie, a political allegory, a Shakespearean drama, not to mention a hurtin’-bomb of an entry into the Marvel Cinematic Universe – you’ll need multiple screenings […]
Everything you’d hope for in a Star Wars trilogy’s second installment, one of the best since The Empire Strikes Back.
Pixar doing what Pixar does best.
The DC Extended Universe (DCEU) has had a fantastic 2017, with the one-two punch of Wonder Woman and its newest offering, Justice League.
“a blast of comedy and manic freneticism.”
Jackie Chan gives THE FOREIGNER his dramatic best, resulting in one of his most surprising performances.
One of the most artistically vivid films in history.
Hitting all the notes for which its predecessor was revered while punching a few new keys in a chorus of its own.
Gorgeously shot, acted, and executed, IT revels in the joys and sorrows of a childhood summer marred by tragedy.
Annabelle: Creation may well be one of the scariest modern horror movies in existence.
“Goes through the motions of being an action-fantasy without having the guts to proclaim it from the heavens.”
Words cannot describe – nor should they – the cinematic clinic Nolan puts on with Dunkirk.
Showcases Tom Holland’s addictive presence and rumblings of adventures to come.
Baby Driver is as indelible and memorable as you’d expect an Edgar Wright film to be.
Although it doesn’t have the heart and quirkiness of Cars, it is a worthy sequel and a decent apology for Cars 2.
It’s the movie both she and we deserve.
Just as good a movie as the first, being full of exultant mirth and slap-happy pandemonium.
One unapologetically thrilling adventure.
A worthy follow-up to a modern-day classic action film.
Blair Witch is one scary, nerve-wracking son of a bitch.
This installment feels most like a money-grab instead of a film which needs to tell a story.
The 2016 update of the 1984 classic Ghostbusters is way, way fun.
It’s not just a parody about music life; it’s also a parody about us.
May very well be the best Marvel film yet.
