Eddie Pasa Archive on Gunaxin >
The third chapter chucks the rules of the first two out the window to make way for a balls-out game of “Let The Bodies Hit The Floor.”
How, exactly, could Avengers: Endgame live up to and honor its predecessors?
Hellboy tries way too hard to accomplish so little.
Shazam! succeeds by mixing up familiar plots into an easily-digestible, unchallenging package, sure to go down smooth and leaving a pleasant aftertaste.
This new adaptation is equal parts remake and reimagining, with significant plot changes adding new depth and dimension to this 36-year-old story.
Jordan Peele haunts us by indelibly searing his images into our heads, and we won’t shake them long after we’ve left the theater.
In deconstructing the notion of females being the “fairer” or “weaker” sex, Captain Marvel has come to kick your ass.
Hollywood finally got to Robert Rodriguez.
Glass features M. Night Shyamalan at his most self-important and condescending.
There’s a lot of fun to be had with Escape Room, if you go in understanding that it’s not the most original movie in the world.
Travis Knight has redefined the Transformers movie.
Aquaman is steady, rock-solid entertainment featuring Jason Momoa in his breakout film role.
Spider-Man: Into the Spider-Verse takes you into an endlessly vibrant and intricate origin story of the newest web-slinger.
Rami Malek channels Mercury’s energy and zest, making Mercury into a strutting, drawling peacock who demands to be the center of attention wherever he goes.
A surprising script, solid direction, and a sharp feminist undercurrent make Green’s Halloween one hell of a movie. Don’t miss it.
First Man may be a movie about Neil Armstrong and the Space Race, but it triumphs more as a film about the American ideal and the dedication towards making it a reality.
Lose all preconceived notions or expectations of this new installment matching the primal, exciting narrative flow of the original.
The Nun marks the second misstep in the five-years-old Conjuring universe
For a film about one of the most daring exploits resulting in the arrest of a major war criminal, Operation Finale feels way too safe.
Jason Statham versus a big frickin’ shark, what more do you need?
This is a comedy, so why are we not laughing?
Tom Cruise and company come roaring back to blow us out of our seats with MISSION: IMPOSSIBLE – FALLOUT, one of the best action films ever made.
For all the whiplash action and laugh-out-loud humor in Ant-Man and the Wasp, there’s a certain “haven’t we been here before?” undercurrent.
Despite a talented cast, the biggest takeaway from Boundaries is what the script has to say about family.
Overt satire, or unoriginal misfire? Jurassic World: Fallen Kingdom invites you to choose.
Just like an old friend knocking on your door after some time away, Incredibles 2 shows up in theaters after a 14-year absence with a wide grin and the promise of high-flying adventure.
Ocean’s Eight is a sprite of a film, lifted by its effervescent cast and against-type performances.
The over-saturation comes to a head with the wildly uneven Solo: A Star Wars Story.
If this review offends you, the movie probably will too.
Ghost Stories batters you into submission with chair-jumping “BOO!” moments, but it all gives way to a final truth which makes you almost wish for those moments again.
High-flying, jam-packed testo-fest eschewing the usual Marvel brio for steep consequences.
Krasinski gives A Quiet Place an unmatched tenor and tone.
It’s a living, breathing version of Trivial Pursuit: Totally ’80s, and it’s just as much fun to watch.
“it’s entertaining, fast, furious, and grand fun.”
The origin story of Lara Croft is here, but is it worthy of your time?
It’s impossible to nail down exactly why Black Panther is absolutely magnificent in one viewing. The film works on so many levels – as a straight-ahead action movie, a superhero movie, a political allegory, a Shakespearean drama, not to mention a hurtin’-bomb of an entry into the Marvel Cinematic Universe – you’ll need multiple screenings […]
